If you can read between the lines, you will find hidden meanings. Harry sees two worlds on the same planet: fantasy and reality, but there is something in between, a hidden meaning he seeks.
We needn’t leave the idea of a hidden meaning to Harry. There are hidden meanings in all things creative, but also in the practical world. We read between the lines every day in OUR OWN reality. We have to or we couldn’t understand each other.
For example, words and phrases can have different meanings not readily apparent. A while, awhile and while are words that depend on how you use them. This “word” can be a noun, a verb or a conjunction.
Thus, the words have meanings depending on context–a form of reading between the lines.
If words alone can do that, how do you plant ideas between the lines?
To make that happen you have to lend your creative package to a total stranger.
I tried editing my novel once, twice, a million times–after being told once by a professional author that I could do it easily. Instead I found it difficult for several reasons:
- I was too close to it to the work; it was too personally attached to my psyche.
- It had been written and re-written over a long time.
- I decided to write it in first person and changed my mind, which only meant there was opportunity for more errors.
- I needed to find a focus and stick with it.
Writing a novel, as I have found it, is excruciating if you want to do it right. It takes time–a lot of time to tell a good story and have it mean something to anyone who reads it. That scenario is unlikely to happen without a good editor.
Most people think of an editor as a proofreader, pointing out the usual grammar, spelling and typos. Not so. A copywriter does that. Of course when you start looking for an editor, you have little idea where to look.
Obviously you look for someone who has worked with your particular genre, see some examples of their work, but most importantly you need to talk with the person directly so you both are thinking alike.
Hopefully, before you turn it over to an editor, you have done the most you can do in telling the story your way, with the style that can be attributed only to you. You may fear the editor will “edit” more like a teacher, and spoil your masterpiece.
At the moment it is a masterpiece only to you. At times, it is more like a child and you, the parent, have to keep correcting it. You have to stop. Stop parenting or babysitting, and go on to the next project. That’s the hardest part.
When I made the decision to have In Makr’s Shadow professionally edited, I was far from ready. I had a mangled piece of writing close to my heart–for at least a decade. When I looked at it, it seemed all right, but it didn’t snap–it didn’t grab me. As I looked to publish, I found errors constantly because most of all the changes were of my own making.
Here’s where the editor or a mechanic comes in to fix it. In my case, it was a true book doctor, an editor Tricia Johnson. I made changes every time I read a passage to make it perfect. It’s happened on this blog. I post a clip, but as I’m reading it–it’s all wrong, and disappointing so I fix it. In reality, I’m may not be fixing it at all; I have clarified a paragraph that didn’t read well, but I may have also changed the style and focus for the reader each time I tried to fix it.
Like the perfectionist most creators try to be, we change anything we craft if there is a way to do it. While it’s impossible to change a piece of art without creating something new, it’s not so hard in other creative endeavors. If we are musicians, we try to produce a better result, or a different result every time we play the same song. If we are actors on stage, we do the same thing–every night. No two performances are alike. It is the “creative” part of us that can’t leave the work alone. In some cases, that’s fine, but not with writing a novel.
Tricia took my novel and broke it down into what it communicated to her. She made my message stronger and the delivery better by deleting words, entire paragraphs, asking me to clarify what I meant. To do this, often paragraphs and chapters were moved around. More importantly as she did this, the novel became more focused, tighter and direct–a grabber and keeper of interest. All that we want in our work.
The King’s English and American English are different. I had selected a British editor who had experience editing science fiction. It seemed to me her perspective could be interesting and it was. There were some surprising differences between us–all good. Now I had a choice. Should the book have an international or American reading? So, I gave a hard look at my idioms, singularly American word choices and phrasing. I changed them to include a more universal audience.
My editor, Tricia Johnson, The Word Weaver, gave me a list with page and paragraph numbers so I could take another look at what I had written. She rewrote passages, changed tenses and cleaned it up in so many ways, but most of all she gave advice–advice that came from editing other novels. What came back to me was a focused, gripping novel. Over the course of the experience, the novel took on a new significance. Instead of a jumbled mess, it was whole and something to be proud of. Tricia’s work was phenomenal. It helped me create my masterpiece. More importantly, she taught me to read between the lines of my own work.
I recently added Tricia to my Facebook and LinkedIn. In fact, upon seeing the result of her fantastic work online, in Harry’s Reality, she pointed out to me that maybe my idea of juxtaposing a frightening image with a less than a mysterious title didn’t working so well. I wanted the novel to be received both as dramatic in thought and scary, and trusting Tricia as I do, a new cover title may be coming soon.
Originally titled, In Makr’s Shadow, there may be a change back to the past. Ironically, it was the working title for Harry’s Reality. The cover will remain the same with the exception of the title. Hopefully, that will make a difference in the first impression the book makes on the public.
At present, Harry’s Reality is available in any digital format wherever fine e-books are sold.
Shaw's Reality 